The way I compose and record my music shares the same thought processes that I employ in my art - laying down initial tracks of spontaneous material then editing back into it to reveal the potential of the piece ('embracing the happy accident') followed by more layers of sound, editing and so on - letting the piece develop seemingly of it's own accord. Order out of chaos, with an element of synesthesia thrown in. Increasingly I am using location field recordings in my work and investigating soundscapes for use in immersive art installations.
(Thanks to Paul Mill Photography and David Nice for some of these images)
|
|
|